Showing posts with label community. Show all posts
Showing posts with label community. Show all posts

Monday, May 12, 2008

you might as well get penguins to write a novel!

While researching for my online communities post, I came across this comment by user Amirhossein, which immediately captivated my imagination, and which I thought I could expand on:

If technology can have a collaboration-oriented meaning, why can't art, music, thoughts and so forth?  If we want to start thinking outside the box of Web 1.0, we should shift towards collaborative attitudes rather than original ones.  We can have collaborative arts as well, a shared inspiration.  What if people are to make a drawing, rather than a person?  Can people contribute melodies to a music track to make a masterpiece?

The concept of collaborative art, or Wiki Art - the harnessing of a shared inspiration, is at once fascinating and intriguing!  My initial response to Amirhossein was that it would be an interesting experiment in open source creative collaboration, but I did not believe that a masterpiece could come out of it.  The idea of Wiki Art led me to Wiki Writing; as a creative writing student, I was interested to see if collaborative writing had ever been attempted.  Not in the Wikipedia sense, which is non-fictive, open to be written, edited and approved collaboratively, but in a creative fiction sense.  Is it possible for a community to write a novel?

I wandered through Google, and found a community that tried to do just that on A Million Penguins, which is the brainchild of Penguin Books and according to the main page, is 

a collaborative, wiki-based creative writing exercise... An experiment in creative writing and community.  Anyone can join in.  Anyone can write.  Anyone can edit.  Let's see if the crowds are not only wise, but artistic.  Can a collective create a believable fictional voice?  Or will too many cooks spoil the broth?

SO interesting!  'A Million Penguins was launched on February 1, 2007 and was open for two months.  The entire book is online, all 1030 pages of it, contributed to and edited by 1500 people!  The scope of it is incredible.  The novel itself is broken down into seven discrete sections, and one bizarre section called 'The Banana Section.'  Not suprisingly, the book is incoherent, a complete mash-up of form, plot, content and structure.  It is self referential: from the novel itself, 'The man was clearly mad.  No rules? It would never work! You may as well get penguins to write a novel!'  There is no real sense of accumulation, and it does not follow a logical or linear pattern.  What IS clear is that the authors themselves were almost continually frustrated; in some sections, authors use the characters as thinly veiled mouthpieces to communicate to and argue with each other.  The dominant tone of the novel is comic, if not just for the obvious chaos and author frustration.  It's farce-like, exhausting, a perfect example of creative anarchy.  'A Million Books' wasn't free of vandals and graffiti artists either - at first it was plagued by porn, and then by bananas.  The 'Banana Section' is a bizarre section which compiles all the chapters which were hit hard by the Banana Bomber.  There are continual, ridiculous, hilarious references to bananas, and at many points in the section the author/s gives up on any sort of plot development, however illogical, and lapses into BANANA BANANA BANANA BANANA! 

What I found interesting was the strong sense of community and accomplishment all authors felt.  From the Million Penguins official blog:
It has been an amazing experience.  I feel sorry to be losing this odd community and hope that there will be clusters who stay together and write together (user Joanna Howard).
... opening this experiment up to the world caused problems (but) the importance of this experiment was in the freedom of expression.  On the whole I found respect and collaboration.  On the way maybe Penguins community found its good identity through 'natural election' (user Neri). 

An author can be inspired from their surroundings, experiences and by their community, but writing is ultimately led by the writer, and not the community.  I'm not sure if there was ever a good chance of a 'collective creating a believable fictional voice,' just because believable writing needs to have a strong, constant voice.  Good writing, I find, is fairly subtle, weaving through and lending itself towards a build-able climax.  The author needs to have control of their story, and even if the characters develop such strong personalities that they seem to be making their own decisions, the author still needs to own his characters.  This can't happen collectively.  The experiment might have been more of a success, stylistically, if there was a smaller literary community involved - in regards to a novel, a large-scale community will not work together to form collective knowledge, like Wikipedia, as a novel is the product of a singular inspiration and will not work in this form (Vershbow, 2007).

As a novel in and of itself, 'A Million Penguins' was worthless, although I suppose it's hard to judge against the established form of writing, as it is an entirely new form.  As a social experiment and a study into collaborative writing, and writing in general, it was utterly fascinating... a 'novel' experiment (bddm, tsss).  I wish I had been involved in the process, because the strong community bond and sentiment formed throughout is amazing, admirable.  From user Joanna Howard's blog:

For the past three weeks, I've been ankle-deep in wiki.  I've witnessed writers enter full of hope and storm away again in despair, and an equal number stay to wallow with exhilaration in the steam intensity of group creativity. 

The wonderful richness of different cultures contributing to this has been a moving study and intimacy of experience and vision.

References (accessed May 11):




Saturday, May 10, 2008

online communities

I have finally realised that I am a member of several online communities, and have been for quite a while now.  This wasn't some momental realisation that happened in a pivotal instant; rather, my conception of my belonging happened steadily, slowly.  The knowledge that I belong, and my understanding that I have made choices to both belong to, and align myself with several communities is lingering somewhere in the back of my brain as I trawl through the World Wide Web.  I can't read ONTD or it's quirky, slightly tasteless offspring ONTD Trash anymore, without recognising in some part of me that I have chosen to belong to these worlds.  I am an active publisher in these worlds.  I am a contributor of content, I interact on a 'many to many' basis.

I find it all fascinating.

Our Week Six lecture, 'Online Communities,' was particularly interesting to me, and fueled the slow ember of knowledge burning away in me.  Axel Bruns, my lecturer, and author of 'Blogs, Wikipedia, Second Life and Beyond: From Production to Produsage,' discussed the many benefits of online communities, all of which I agreed with.  The reason I didn't realise I belonged to an online community, is because my joining it, and affiliating with it, was so easy.  I stumbled across a page.  I started to read other peoples contributions, I laughed, and i kept coming back, eventually starting to make my own contributions.  In my offline world I have to make physical, set decisions and actions to join a community; I have to sign up to a soccer team, or to join a Lit discussion group.  On an online platform, all I have to do is browse, until I find an online community based around one of my interests, in the case of ONTD, pop culture and a dual sense of bitterness towards to it, and addiction to it. 

Through my interaction with various online communities I engage with, I can see demonstrated some of the benefits of online communities Axel discussed.  From the lecture: online communities transcend the limitations of being a physical body in a particular physical space - I have the world at my fingertips, and anything I want is open to me.  As Axel said, the strength of online communities lies in the ease of finding other people and communities with which I have a shared interest, rather than having to find these people in the offline world.  If I join an Australian hip hop forum, for instance, I can be assured that I have a common interest with all of the joined members, with enhanced possibilities of further mutual interests.  Online communities gather people together, the community shares it content, and that content becomes much more powerful.

The sense of belonging and community is liberating, warming, and I feel, is what drives people to make the Web contributions they do, largely pro bono contributions which in turn, makes the Web function as it does.  Mark Glaser from blog MediaShift points out that the Web is largely powered by volunteer work.  He uses the examples of Ebay's user generated content or Flickr's vast array of user submitted photos, all user submitted, all adding incredibly commercial value to these for-profit companies, yet submitted for free.  The layperson does not get any monetary compensation for doing this work, so why do it?  Glaser interviewed a woman who acts as a forum moderator for CNN Interactive.  
'Many volunteers in online communities do it for the love of the conversation and connections, and are willing to give up their time to make those communities more interesting and pleasant places to inhabit.  I believe in the power of the Internet as an experience beyond just sucking up information - it's always been the interactivity that gets me going, and whether I'm paid or not, that's the part that keeps me interested.'
This sense of community and belonging then, is what motivates people to make the contributions they do.  
Matt Haughy, founder of popular group blog MetaFilter, told Glaser via email that in the early days, he had to make many of the posts himself, until the momentum and growing community propelled the blog forward.  
'Since then, I think the strong sense of community - the sense of belonging and getting something out of the participation is what drives people to contribute.'
 (Glaser, 2006).

Psychologically and socially, we require a sense of belonging to be active, useful citizens, and the Internet is one platform from which we can get that.  From our Week Six lecture, according to Axel, strong online communities lower barriers of cultural and social participation, in a sense democratizing cultural participation.  Members of these online communities are citizens, and they are active in creating a grassroots online community, which, when they work to the best of their ability, are a platform across which communities can gather, share and evaluate information, working across community boundaries with each other.  It's this sense of community that brings people back, and keeps them coming!

References (accessed May 5):
Week Six Lecture notes